Matt Hill

Lamb

‘It’s inside every parent to want to carry their child’s terror. It’s the thing they never tell you about. Watching your child grow up, watching your child learn to suffer…’

When lorry driver Dougie Alport carries out a deadly attack on his employer’s head office, the reverberations of his actions unleash a grief in his wife Maureen that threatens to reveal the secret she has spent years hiding from their son, Boyd.

Moving north to start again is Maureen’s best response. But as the walls begin to throb with mould and his mother slips from his grasp, Boyd decides to flee, finding solace with a new friend at the landfill site on the edge of town. Here, a startling discovery upends Boyd’s new life and forces him into a reckoning with his mother, her past, and his future.

A visceral story of collective memory and moss-coated horror, Lamb asks us how far we’d go to protect those we love, and how intensely we are bound to those who have come before us.

The Breach

Freya Medlock, a reporter at her local paper, is down on her luck and chasing a break. When she’s assigned to cover the death of a young climber named Stephen, she might just have the story she needs. Digging into Stephen’s life, Freya uncovers a strange photo uploaded to an urban exploration forum not long before he died. It seems to show a weird nest, yet the caption below suggests there’s more to it.

Freya believes this nest – discovering what it really is and where it’s hidden – could be the key to understanding the mysteries surrounding Stephen’s death.

Soon she meets Shep, a trainee steeplejack with his own secret life. When Shep’s not working up chimneys, he’s also into urban exploration – undertaking dangerous ‘missions’ into abandoned and restricted sites hidden in the wilderness. As Shep draws Freya deeper into the urbex scene, the circumstances of Stephen’s death become increasingly unsettling – and Freya finds herself risking more and more to get the answers she wants.

But neither Freya nor Shep realise that some dark corners are better left unlit.

Zero Bomb

The near future. Following the death of his daughter Martha, Remi flees the north of England for London. Here he tries to rebuild his life as a cycle courier, delivering subversive documents under the nose of an all-seeing state.

But when a driverless car attempts to run him over, Remi soon discovers that his old life will not let him move on so easily. Someone is leaving coded messages for Remi across the city, and they seem to suggest that Martha is not dead at all.

Unsure what to believe, and increasingly unable to trust his memory, Remi is slowly drawn into the web of a dangerous radical whose ‘70s sci-fi novel is now a manifesto for direct action against automation, technology, and England itself.

The deal? Remi can see Martha again – if he joins the cause.

Graft

Manchester, 2025. Local mechanic Sol steals old vehicles to meet the demand for spares. But when Sol’s partner impulsively jacks a luxury model, Sol finds himself caught up in a nightmarish trans-dimensional human trafficking conspiracy.

Hidden in the stolen car is a voiceless, three-armed woman called Y. She’s had her memory removed and undertaken a harrowing journey into a world she only vaguely recognises. And someone waiting in the UK expects her delivery at all costs.

Now Sol and Y are on the run from both Y’s traffickers and the organisation’s faithful products. With the help of a dangerous triggerman and Sol’s ex, they must uncover the true, terrifying extent of the trafficking operation, or it’s all over.

Not that there was much hope to start with.

A novel about the horror of exploitation and the weight of love, Graft imagines a country in which too many people are only worth what’s on their price tag.